Kinetic Animatronic Jellyfish & Sea Lily for Louis Vuitton Stores

Kinetic Jellyfish — Bringing Beautiful, Mesmerising Motion to Sea-Life Sculpture Across Three Global Flagship Stores

Industry
Luxury Fashion & Retail
Client
Louis Vuitton
Location
London Bond Street, Australia & South Korea — Flagship Stores
FORMAT
3D-Printed Animatronic Kinetic Sculptures

Louis Vuitton's Under the Sea collection demanded a window and in-store experience that went far beyond conventional visual merchandising. The theme required movement — the slow, hypnotic drift of deep-sea creatures, the ethereal pulse of a jellyfish, the gentle sway of a sea lily caught in an invisible current. Static props, however beautifully crafted, would not be enough.

Power Interactive was brought in to collaborate with the collection's artist and transform the Under the Sea world into a series of living, breathing animatronic sculptures. The brief was precise: design and prototype 3D-printed kinetic jellyfish and sea lily creatures whose motion would be as beautiful and mesmerising as the marine life they represented — and whose engineering would be robust enough to survive continuous operation across multiple flagship store environments on three continents.

The scope covered everything: material sourcing, 3D design, printing, assembly, motion programming, intensive stress testing, and final installation at Louis Vuitton's flagship stores on London's Bond Street, in Australia, and in South Korea — three of the most high-profile luxury retail addresses in the world.

Louis Vuitton doesn't accept compromise. Every movement had to feel like the ocean — effortless, alive, and completely natural. Getting there required months of design iteration, material testing, and motion programming that most people will never see.

Lead Designer, Louis Vuitton Under the Sea

From Digital Blueprint to Living Sculpture — Designed to Move, Built to Last

Collaborative Design & 3D Prototyping

The design process began with the artist's visual reference for how each creature should look and move, and Power Interactive's task was to engineer that vision into a manufacturable, motorised form. Working iteratively, the team developed the 3D geometry for both the jellyfish and sea lily — balancing aesthetic fidelity with the structural requirements of animatronic movement. Multiple prototype rounds were produced and reviewed with the artist before the final designs were locked for production.

Material Sourcing & 3D Printing

Material selection was critical — the sculptures needed to be light enough for the motion systems to drive convincingly, translucent enough to carry the ethereal quality of deep-sea life, and durable enough to withstand the heat, handling, and continuous operation of a global retail environment. Power Interactive sourced and tested multiple 3D printing materials before identifying the precise specification that met all three requirements. The final pieces were printed in-house, with each component reviewed for surface quality before assembly.

Assembly & Motion Programming

Each sculpture was assembled by hand — the 3D-printed forms integrated with their internal motor systems, cabling, and structural supports with the precision required for continuous kinetic operation. The motion programming was the most technically demanding phase of the project: the jellyfish and sea lily needed to move with genuine organic character — their rhythms varied, their responses nuanced — rather than with the repetitive mechanical feel that would immediately betray their artificial nature. Motion profiles were developed, tested, and refined until each creature moved with the effortless, hypnotic quality Louis Vuitton demanded.

Stress Testing & Quality Assurance

Before a single sculpture left for installation, every unit underwent intensive stress testing — simulating months of continuous operation to identify any points of mechanical fatigue, material stress, or motion system wear before they could manifest in a live retail environment. This phase was non-negotiable: a kinetic sculpture that stopped moving on Bond Street would not simply be a mechanical failure — it would be a failure visible to thousands of the world's most discerning luxury consumers every single day.

Stress Testing & Quality Assurance

Before a single sculpture left for installation, every unit underwent intensive stress testing — simulating months of continuous operation to identify any points of mechanical fatigue, material stress, or motion system wear before they could manifest in a live retail environment. This phase was non-negotiable: a kinetic sculpture that stopped moving on Bond Street would not simply be a mechanical failure — it would be a failure visible to thousands of the world's most discerning luxury consumers every single day.

Where 3D Fabrication Meets Animatronic Precision

3D Design & Geometry

Iterative 3D modelling in collaboration with the artist, balancing aesthetic vision with animatronic engineering requirements.

Material Research & Sourcing

Multi-round material testing to identify 3D printing specifications delivering the correct translucency, weight, and durability.

3D Printing & Surface Finishing

In-house production of all sculptural components, with each piece reviewed for surface quality before assembly.

Animatronic Assembly

Hand assembly integrating 3D-printed forms with internal motor systems, cabling, and structural supports to exact tolerances.

Motion Programming

Organic motion profiles developed and refined for each creature — varied rhythms and nuanced movement eliminating any mechanical feel.

Stress Testing & QA

Intensive continuous-operation simulation to validate mechanical longevity before deployment to flagship retail environments.

The Louis Vuitton Under the Sea kinetic sculptures became one of the most talked-about elements of the collection's global launch — drawing crowds to the windows of Bond Street, generating extensive social sharing, and earning coverage in luxury and design press across multiple markets. Visitors who had seen countless Louis Vuitton window displays stopped at these because the creatures moved — and moved beautifully.

By delivering a technically demanding animatronic brief to the exacting standards of one of the world's most scrutinised luxury brands — and doing so across three continents simultaneously — Power Interactive demonstrated that its capability extends from digital interaction to physical craft at the highest possible level. The Under the Sea jellyfish and sea lily remain among the most artistically and technically ambitious pieces the studio has produced.

3
Global Flagship Store Locations
2
Animatronic Creature Designs
6
Services Delivered End-to-End
3
Continents — London, Australia, South Korea

What Was Built

Collaborative 3D Design

Animatronic jellyfish and sea lily designs developed in collaboration with the Louis Vuitton artist.

Material Research & Testing

Extensive material testing to achieve the ideal translucency, weight, and durability for the sculptural forms.

3D Printing & Finishing

In-house 3D printing and detailed surface finishing of all custom sculptural components.

Mechanical Assembly

Hand-assembled structures integrating internal motors, supports, and printed organic forms.

Organic Motion Programming

Custom motion programming creating lifelike and naturally varied movement patterns for each creature.

Stress Testing & Quality Assurance

Rigorous operational testing designed to simulate continuous long-term installation use.

Global Store Installation

Installation delivered across Louis Vuitton flagship stores in London, Australia, and South Korea.

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